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Paul van Dyk: A 950 Credit Score and a Trance Audience Spread Wide

By Devon Pierce·October 13, 2026

Paul van Dyk: A 950 Credit Score and a Trance Audience Spread Wide

Trance is a genre built on distance: how far a breakdown can carry a room, and how long a melody can hang before the kick drops back in. Paul van Dyk's DJ Radar profile reads the same way. His numbers don't spike in one place. They stretch across almost every platform we track.

Van Dyk is listed under Germany, with trance as both his main genre and his genre family. He holds a credit score of 950 on DJ Radar, backed by 14,268 votes. The vote count matters as much as the score. It isn't a figure propped up by a small circle of loyalists. It is a large group of voters putting their name behind him.

The streaming core

Spotify gives the clearest picture. Van Dyk draws 1,706,059 monthly listeners and has 537,588 followers. The gap between those two figures is what tells the story. The listener count runs well ahead of the follower count, which usually means the music reaches people who never hit the follow button.

Last.fm gives a longer view. It counts 903,866 listeners, meaning people whose plays have been logged under his name. That is less a snapshot of one month and more a running record of everyone who has pressed play.

Video, social and the long mix

On YouTube, the profile shows 1,700,000 subscribers, close to his Spotify monthly audience. Instagram follows with 670,602 followers, and TikTok has 135,900.

For a DJ, the mix-focused platforms deserve a closer look. SoundCloud has 173,836 followers. Mixcloud, a service built around full sets rather than single tracks, counts 108,335. These are audiences who come for the long form, which is where trance does its best work.

Resident Advisor adds 14,537 followers. RA is built around club listings and events, so its followers are a different kind of signal: people who want to know where he is playing next.

On the road

The live side is where the profile carries real weight. DJ Radar's data credits van Dyk with a festival count of 252. Whatever the dashboards say, trance is still music made for big stages and big crowds. That festival count is the most direct link between the numbers on a screen and the people in front of the booth.

What the numbers add up to

The defining trait here is balance. No single stat carries this profile. Streaming, video, social media, mix platforms and festival bookings all show solid figures, and they point the same way: an audience spread wide rather than packed into one corner of the internet.

That breadth fits well with his 950 credit score and 14,268 votes. This is not an artist who is big on one platform and nowhere else. It is a trance artist whose reach holds up wherever you look: on the playlist, in the feed, in the full-length mix and, above all, out on the festival field.

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