I Hate Models: France's Techno Force by the Numbers

Some techno acts live in the club and nowhere else. I Hate Models is not one of them. The French artist has spent years turning a hard, emotive strain of techno into something that travels — from the booth to the streaming queue to the festival main stage — and the DJ Radar data lays that reach out in plain figures.

Start with standing. On DJ Radar, I Hate Models carries a credit score of 894, supported by 11,670 votes. That vote total matters: it's not a handful of superfans inflating a number, but a broad base of listeners registering an opinion. A score in the high 800s puts the act firmly in the conversation among techno's most-tracked names, and it's a figure earned across a genuinely engaged audience rather than a quiet corner of the scene.

Genre-wise, there's no ambiguity. This is techno, full stop — the main genre and the wider genre family both point the same direction. I Hate Models works within that lineage rather than around it, and the numbers suggest the audience knows exactly what it's showing up for.

Then there's the live footprint, which is where the profile gets loud. 421 festivals is not a rounding figure; it's a career's worth of stages, a schedule that reads less like a touring act and more like a fixture of the international circuit. For a techno artist, that kind of festival count is the clearest signal of demand there is — promoters don't book a name 421 times on a hunch.

The streaming and social picture backs the touring story rather than contradicting it. On Spotify, I Hate Models pulls 506,554 monthly listeners against 323,779 followers — a healthy ratio that says people aren't just saving the catalog, they're actively returning to it month after month. SoundCloud, techno's native habitat and the place where a lot of this music is first heard, holds 193,537 followers, while Last.fm logs 125,038 listeners among the platform's notoriously catalog-obsessed crowd.

On the discovery-and-booking side, Resident Advisor counts 43,576 followers — a meaningful number on a platform built specifically around the electronic underground and the people who plan their nights on it. And across social, Instagram sits at 1,108,792 followers, the widest of the audiences on offer here.

What's striking isn't any single figure but the consistency. This is a profile without an obvious weak spot: strong on the streaming platforms where casual fans live, strong on the specialist services where the committed crowd gathers, and strong on the festival circuit where reputations are actually cashed in. Plenty of acts spike on one metric and vanish on the rest. I Hate Models shows up everywhere the data looks.

Put it together and the story is a durable one. A French techno act with a 894 credit score, backed by 11,670 votes, a six-figure listener base across multiple services, and a live schedule measured in the hundreds of festivals. The numbers don't tell you what a set feels like at 3 a.m. — but they tell you a lot of people have decided to find out, and keep finding out. On DJ Radar's board, I Hate Models reads like an artist whose reach has caught up with its reputation.